Drums that strike themselves. Loudspeakers that pivot and pirouette. Pianos whose keys tap dance ghostly toccatas. Welcome to a brave new world of mechatronic music, where self-playing instruments rule.
Autonomous instruments have fascinated composers since the dawn of the mechanical age. The most famous of these is arguably Georges Antheil’s epic work Ballet Mécanique (1925) – best described as The Rite of Spring meets heavy metal.
In Mechanical Ballet, experience the wonder for yourself as a crowd of mechatronic loudspeakers and percussion instruments come to life – created by Wellington-based musicians/engineers Jim Murphy, Bridget Johnson, Mo Zareei and David Downes. They keep pace with percussionists from leading Kiwi new music ensemble Stroma and top New Zealand pianists Sarah Watkins and Stephen De Pledge.
This concert of virtuosic proportions features two seminal works by US minimalist icon Steve Reich, Drumming Part 1 and Piano Phase, as well as world premieres of works by composers Bridget Johnson, David Downes and Michael Norris. The future starts here.
Stephen De Pledge, Sarah Watkins (piano)
Lenny Sakofsky, Jeremy Fitzsimons, Justin DeHart, Yoshiko Tsuruta (percussion)
Steve Reich Drumming Part I for four percussionists
Mo Zareei Rasping Music for brutalist mechatronic sound-sculptures
David Downes Superflux for robotic drumkit, electronic playback
Michael Norris Tidal Flow for amplified percussion quartet and robotic drums
Bridget Johnson Pas de Quatre for mechatronic loudspeakers
Steve Reich Piano Phase for two pianos
Georges Antheil Ballet Mécanique for two pianos, four percussionists, four MIDI pianos and robotic percussion